Bluesastic
Analog emulations of tapes and vinyl of the early 70s
il-y a 9 mois
LittleWing
That most certainley is the blues. I will compare it to the obvious similarity: Bookler T and the MGs "Green Onions".
The progression itself is used in thousands of blues songs.
Its nearly impossible to play a blues progression and NOT sound like another song, so no worries but it is an obvious classic progression of that very famous song.You may want to take a listen.
I do so like the down and dirty blues side of you Tyros.You are very talented technically but you also have the freespirit desire to just jam from the heart which is so awesome when you let go like this.You have a real nice balance between your technical side and your instinct.
Always a pleasure listening. +2
The progression itself is used in thousands of blues songs.
Its nearly impossible to play a blues progression and NOT sound like another song, so no worries but it is an obvious classic progression of that very famous song.You may want to take a listen.
I do so like the down and dirty blues side of you Tyros.You are very talented technically but you also have the freespirit desire to just jam from the heart which is so awesome when you let go like this.You have a real nice balance between your technical side and your instinct.
Always a pleasure listening. +2
il-y a 9 mois
tyros4
You're right, all the blues are very similar. So Yes, we can enjoy these fun Jams. 
Greetings and thank you very much
+2
Greetings and thank you very much
+2
il-y a 9 mois
. LittleWing tiene toda la razon en lo que dice. La ultima nuestra!
il-y a 9 mois
il-y a 9 mois
il-y a 9 mois
il-y a 9 mois
il-y a 9 mois
il-y a 8 mois
Blues sessions avec Clavier:
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Nobody's Fool
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Whiskey bent
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Dont break my heart
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Soul Fire
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The Blues Road
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The soul of blues
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Heart And Soul
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Piano Blueses
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House Blues-92 BPM
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Fast Minor Swing Blues
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Dem Foggy Mornin Blues
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Boogie Metro
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New blues Am 60bpm 6/8 swing
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Blues With Soul
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Shuffle Boogie
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A pale shade of blue
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Heart & Soul
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Swinging Rhodes
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Blues Piano
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Way on the outside
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