The Shadow of my Olive Tree_GUITARS
Il n'y a pas encore de remix de cette session !
Just at listening this wonderful track I felt the urge of record my jam, including some melody and lead solos over amazing fresh and rich live percussion drums by Baer, and tasteful piano and bass by GlezBass who created the harmonic progression over which I put the melody. Guitar: Godin xtSA, processor Boss GP-10 (Nyrac Acoustic Nylon guitar) Roland GR-55 Vibraphone and guitar unison with whistle, a little homage to Toots Thieleman who aside of harmonica player was a ...
il-y a 6 ans
khangurumc
This is wonderful,thanks for this beautiful moments.Congradulations to all the musicians.
+2
il-y a 6 ans
il-y a 6 ans
CameAndWent4-20
That’s one A train I’m happy to take any day. Beautiful 😗 whistling😀 your adds up the harmonic content so well and enhance the whole. Superb😎
+2
il-y a 6 ans
Jazzpick
Thanks, Alex 
You are becoming my favorite quote catcher ! 
I love that train too because his owner is a Duke and the driven a certain Billy 
chooo chooo!! 
+1
You are becoming my favorite quote catcher ! I love that train too because his owner is a Duke and the driven a certain Billy chooo chooo!!
+1
il-y a 6 ans
Baer
wow, this is truly phantastic!
I have to admit I'm not a big in knowing famous Jazz-Guitar-players at all, but this somehow brought back memories of listening to "the rite of strings" (Al di Meola on guitar) years ago.
Like the whistling & xylophone ads, too...
thanks for the ride, miraculous what you guys do with a little drumming template
+2
I have to admit I'm not a big in knowing famous Jazz-Guitar-players at all, but this somehow brought back memories of listening to "the rite of strings" (Al di Meola on guitar) years ago.
Like the whistling & xylophone ads, too...
thanks for the ride, miraculous what you guys do with a little drumming template
+2
il-y a 6 ans
GlezBass
the music started in the history of man with beatings of drums .... thanks for the part that corresponds to me, but the cherry is from JazzPick (Carlos)
+1
+1
il-y a 6 ans
Jazzpick
Thanks for your words Baer, especially appreciated, I like your reference to Al Dimeola, since among many others he occupied a golden place in my early and later influences, including the incredible "The rite of strings" with Jean Luc Ponty, another one of my heroes.
"...miraculous what you guys do...."
I firmly believe in nested vibrations even in the most "little drumming template" traveling thru ether to be catched for well-tuned loopers like GezBass (Mario) and many more here capturing it as an antenna in resonance and then the magic emerges.
I wanted to ask you what drums you used and how you played them, it sounds very natural and lived! I love ethnic and world percussion, things like Hang Drum, tabla, cajon, bata, zurdo and so much more!
+0
"...miraculous what you guys do...."
I firmly believe in nested vibrations even in the most "little drumming template" traveling thru ether to be catched for well-tuned loopers like GezBass (Mario) and many more here capturing it as an antenna in resonance and then the magic emerges.
I wanted to ask you what drums you used and how you played them, it sounds very natural and lived! I love ethnic and world percussion, things like Hang Drum, tabla, cajon, bata, zurdo and so much more!
+0
il-y a 6 ans
Baer
thats a pearl session series drumset from the 90s played with quite worn hotrods (bundled thin wooden sticks).
I have just recently added some extra mics to the toms and am still in the process of making that sound nice (which is a sysyphus task to me).
I'm especially happy to see so many people seem to be attracted by this template, which isn't really polished, but rather "organic".
It does feel a bit odd to know one "competes" with programmed drums of excellent sound, so I like to try things one couldn't really programm easily
+1
I have just recently added some extra mics to the toms and am still in the process of making that sound nice (which is a sysyphus task to me).
I'm especially happy to see so many people seem to be attracted by this template, which isn't really polished, but rather "organic".
It does feel a bit odd to know one "competes" with programmed drums of excellent sound, so I like to try things one couldn't really programm easily
+1
il-y a 6 ans
Jazzpick
Thanks Baer, nice information on the Pearl drum kit, I agree full with the "organic" character, you got it.
IMHO programmed drums when done by entering beats step by step via MIDI, never will match the "humanized" touch from a live track, being a intermediate point when programming drum samples is played live with a drum controller, pads, even a keyboard, since the subtle variations coming from a real human rhythmical performance does content an primal emotional response not possible to capture from "mathematical" 1001001010 sequencer inputs
Good luck with kit miking!
+1
IMHO programmed drums when done by entering beats step by step via MIDI, never will match the "humanized" touch from a live track, being a intermediate point when programming drum samples is played live with a drum controller, pads, even a keyboard, since the subtle variations coming from a real human rhythmical performance does content an primal emotional response not possible to capture from "mathematical" 1001001010 sequencer inputs
Good luck with kit miking!
+1
il-y a 6 ans
il-y a 6 ans
il-y a 6 ans
il-y a 6 ans
il-y a 6 ans
Jazzpick
Thanks WD! your contributions on many amazing drum tracks are part of that energy, thanks!
+1
+1
il-y a 6 ans
wjl
Wonderful! That completes the track quite nicely. And I share your respect for Toots, saw him when I was much younger, together with Jeff Berlin. Your track has the same quality as his did.
+1
+1
il-y a 6 ans
Jazzpick
Thanks Wolfgang! Toots is a musical genius and an incredible warm sweet person! great you was able to saw him.
+1
+1
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