Wiki Red Night Jazz Session
As Peter I don't know what I've done here !! I have not dared to fretless like Kai on his track, but using 5 strings and leaning on the fundamental notes of Luis's diabolical track I think it can be heard from the "optics" of free jazz. Thanks to Peter because his track helped me a lot to keep the rhythm in certain moments !!!
BASS: Maruszczyk Elwood TCS 5th strings (32") play 30/70 pickups sound S3 switch pluggin INTERFACE SOUND: ...
16 octobre 2020 à 21:44
wjl
Wow *that* is cool indeed :) Reminds me a bit of the Chick Corea band, during times like "My Spanish Heart" :) :W
+4
16 octobre 2020 à 21:59
GlezBass
Many thanks Wolfgang!! you're right! with the proper distances it sounds a bit like that band !! Well, I think Luis is very close to Korea, it is impressive! Thanks for your wise feedback :) :W
+1
17 octobre 2020 à 08:51
16 octobre 2020 à 23:05
16 octobre 2020 à 23:16
GlezBass
Ha ha ha thanks for the compliment!! It was not an easy jam, I had to analyze fundamental notes and study the jam a little, I did not get 100% of the notes in their correct place and some area I had to remix it with second intention ... a small digital edition to accompany the moments of tension and calm in Luis's piano, but together with Peter's impressive drums he can be heard. We had to try it!!! :D
+1
16 octobre 2020 à 23:22
KaiPlan
Hey Gez, well done I think! Your version seems very relaxed to me. I know: "less is more". I'm not that far artistically myself. I think I would like to be able to play all the notes on the bass at the moment, and then maybe leave them all out later, with a few exceptions. (Miles Davids played 430,000 notes in 5 seconds during his BeBop time. In his last works only a very well set tone here and there, and both were great!) That's why I like your version just as much as mine "wilder" interpretation. Although what annoys me is that your bass always sounds a bit fuller and bassier than mine, and I don't know why ... Greetings:W
+1
16 octobre 2020 à 23:33
GlezBass
Thank you very much for your feedback Kai !!!
I love your fretless "silky" Pedulla midtones.
In the comments I leave how I made the recording to know how I get the sound myself in future auditions and to share the experience with loopers.
I will tell you in a few steps how I got this:
- consider it to be a 5-string bass and here I used many notes on the fifth string with a 135 gauge
- In the bass EQ I open 60% of the bass tone and this Maruszczyk bass has a switch position where the three pickups are put in series (a lot of punch)
- then I do a final digital edit with VST Chorus, VST Ozone Imager (stereo) and Driver valve emulated
- I record in stereo with double direct IN jack on the interface 50 gain signal withouth analogic effects ;)
everything collaborates in the tone !!! experience something like this if you like the tone, Ozone and TAL Chorus give a lot of space to the sound !! +1
I love your fretless "silky" Pedulla midtones.
In the comments I leave how I made the recording to know how I get the sound myself in future auditions and to share the experience with loopers.
I will tell you in a few steps how I got this:
- consider it to be a 5-string bass and here I used many notes on the fifth string with a 135 gauge
- In the bass EQ I open 60% of the bass tone and this Maruszczyk bass has a switch position where the three pickups are put in series (a lot of punch)
- then I do a final digital edit with VST Chorus, VST Ozone Imager (stereo) and Driver valve emulated
- I record in stereo with double direct IN jack on the interface 50 gain signal withouth analogic effects ;)
everything collaborates in the tone !!! experience something like this if you like the tone, Ozone and TAL Chorus give a lot of space to the sound !! +1
16 octobre 2020 à 23:56
KaiPlan
Wow respect! That sounds pretty complicated to me, and I have to deal with it more. I still learned "the sound comes from the fingers". I play (except for a looped-in EBS reverb pedal) directly into a Warwick LWA 1000 Amp. Maybe I should fire the cleaning lady and hire a sound engineer instead. ;)(Thanks for your technical note!):D:W
+1
17 octobre 2020 à 00:01
GlezBass
ha ha ha ha !!! without a doubt the sound comes from the harmony, the groove and the fingers !!! everything I told you is useless without fingers !!!! In addition to playing bass, I also like the digital editing side, I am a frustrated sound engineer ha ha ha (the cleaning lady is more necessary in our lives ...)
+1
17 octobre 2020 à 00:07
GlezBass
to summarize
- If you are going to play here in digital format, using VST effects (integrated in your DAW recording software) is the simplest if you use earphones like me to record
- if you are going to play live you can use the same effects but in analog format, and we will not always get the same sound ;) +1
- If you are going to play here in digital format, using VST effects (integrated in your DAW recording software) is the simplest if you use earphones like me to record
- if you are going to play live you can use the same effects but in analog format, and we will not always get the same sound ;) +1
19 octobre 2020 à 02:59
16 octobre 2020 à 21:55
16 octobre 2020 à 22:00
16 octobre 2020 à 22:03
16 octobre 2020 à 22:07
16 octobre 2020 à 22:45
16 octobre 2020 à 23:10
16 octobre 2020 à 23:44
PJE
The richness of your sound and playing , it’s like a cascade of musical waterfall and rapids, this is incredible fusion modern jazz in free form, but yet with solid and tight foundations as if rehearsed to presentation quality. I knew you were a great musician but now realise how truly excellent and gifted you are, this is the right sound, feel, emotion and technicality to bring understanding of this beauty piece. A true honour Mario, thank you does not seem enough to fully appreciate but it means so much to me amigo<3<3:):WBravo:o
+2
16 octobre 2020 à 23:50
GlezBass
I think exactly the same of you Peter !! This drum track is not available to many drummers and it is also absolutely creative !! Without her I would not have been able to play. I recognize that I have recorded it studying it for 1 hour with three takes (the last one the final one), maybe more study and more takes would have improved it, but it has the value of playing like a jam, not as a professional studio session !! also we would never reach a professional level and would require hours and hours of rehearsal, but we had fun !!! Luis, if he makes those tracks almost in one session, he has absolute hearing! and a creativity that I have seen with my own eyes playing live absolutely prodigious !!!!
+1
16 octobre 2020 à 23:55
PJE
This is a cool and correct summary Mario, Luis is incredible and has given us wonderful musical fun adventures, but you and I too have shared so many cool tracks since the start of my time here, I feel we are connected as musical brothers:W
+2
16 octobre 2020 à 23:57
GlezBass
definitely!! I have the same feeling, I am always attentive to your tracks, you are very creative on drums and that is "musical oil" for a bass player. I've heard beat changes on some of your master tracks !!!
+2
17 octobre 2020 à 00:00
17 octobre 2020 à 00:01
17 octobre 2020 à 00:28
17 octobre 2020 à 00:49
17 octobre 2020 à 08:51
Andri
Que belleza Mario! Me encanta como se ha unido todo en esta pista. Excelente.
What a beauty Mario! I love how everything has come together on this track. Excellent. +1
What a beauty Mario! I love how everything has come together on this track. Excellent. +1
17 octobre 2020 à 08:54
GlezBass
Costo lo suyo pero bueno sale algo que podemos disfrutar a los amantes de estos generos! Ya sabes que Luis es un crack, Peter ha bordado la bateria y yo hice lo que pude!! ja ja
Cost yours but hey comes something that we can enjoy lovers of these genres! You already know that Luis is a crack, Peter has embroidered the drums and I did what I could! haha +0
Cost yours but hey comes something that we can enjoy lovers of these genres! You already know that Luis is a crack, Peter has embroidered the drums and I did what I could! haha +0
17 octobre 2020 à 09:13
17 octobre 2020 à 09:17
17 octobre 2020 à 11:11
Wade
This, like peter's add are excellent attempts to play along with a track that wasn't intended for anyone to play on.
+1
17 octobre 2020 à 14:55
GlezBass
You may be right! but we have fun Peter and I playing here !! We could never play with a musician of this caliber in the real life, and here we can !!! :o
+1
Jazz sessions avec Batterie, Basse and Clavier:
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A Fantastic Year With you
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Turn around batterie&bass
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Jazz Boogie with extra Jazz
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LongDrive(bass)
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No Discussion 🤫 /Fretless Edt
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Keep calm + bass
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Malice Aforethought
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Feel Like Giving In
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Additional Option (Deep Bass Tone)
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The bigger the lie
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Give me some bass
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Sell the Place ->
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Strong Headwinds w keys
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Cocktail
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New Life
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I Can't Get You Out Of My Mind
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Let's Play
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Memories Of Times Gone By-bass add
-
Jam in Fmin
-
Jazz Blues
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......yeah.. What they all said! And ps. it's great! Thanks!
kimbo